Baba Yaga Laid an Egg

Baba Yaga Laid an Egg According to Slavic myth Baba Yaga is a witch who lives in a house built on chicken legs and kidnaps small children In Baba Yaga Laid an Egg internationally acclaimed writer Dubravka Ugresic takes t

  • Title: Baba Yaga Laid an Egg
  • Author: Dubravka Ugrešić Ellen Elias-Bursać
  • ISBN: 9780802145208
  • Page: 335
  • Format: Paperback
  • According to Slavic myth, Baba Yaga is a witch who lives in a house built on chicken legs and kidnaps small children In Baba Yaga Laid an Egg, internationally acclaimed writer Dubravka Ugresic takes the timeless legend and spins it into a fresh and distinctly modern tale of femininity, aging, identity, and love.With barbed wisdom and razor sharp wit, Ugresic weaves togethAccording to Slavic myth, Baba Yaga is a witch who lives in a house built on chicken legs and kidnaps small children In Baba Yaga Laid an Egg, internationally acclaimed writer Dubravka Ugresic takes the timeless legend and spins it into a fresh and distinctly modern tale of femininity, aging, identity, and love.With barbed wisdom and razor sharp wit, Ugresic weaves together the stories of four women in contemporary Eastern Europe a writer who grants her dying mother s final wish by traveling to her hometown in Bulgaria, an elderly woman who wakes up every day hoping to die, a buxom blonde hospital worker who s given up on love, and a serial widow who harbors a secret talent for writing Through the women s fears and desires, and their struggles against invisibility, Ugresic presents a brilliantly postmodern retelling of an ancient myth that is infused with humanity and the joy of storytelling.

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      Posted by:Dubravka Ugrešić Ellen Elias-Bursać
      Published :2019-06-27T15:49:54+00:00

    326 Comment

    • Jonfaith says:

      Baba Yaga is a witch of Slavic legend. I've always thought it sounded cool as hell. Baba Roga is the Serbian equivalent, though that is disputed.Ugresic's novel is a meditation on women and ageing, and moreso the parenthetical threat in such. The feminism within appears honest. (as if i could judge, as if i were willing) The narrative concerns a series of situations. The "author" is concerned about her elderly mother living in Zagreb (Croatia). The mother is suffer aphasia and possibly dementia. [...]

    • Aubrey says:

      4.5/5ey would finally stop bowing down to men with bloodshot eyes, men who are guilty of killing millions of people, and who still have not had enough. For they are the ones who leave a trail of human skulls behind them, yet people's torpid imaginations stick those skulls on the fence of a solitary old woman who lives on the edge of the forest.This book is the same breed as Mr. Fox, metafiction put through its paces for a far more exacting goal than that of navel gazing and the like. Here there [...]

    • MJ Nicholls says:

      A curious, playful triptych centred around the Baba Yaga myth. The first part concerns a writer (based on Dubravka Ugrešić) taking care of her embittered mother while a fawning admirer chases her around Slovenia. The second (and longest) is set among a group of bubbly octogenarians at a spa resort, mingling with odious males with permanent erections. The last part is a lengthy dissertation on Slavic folklore, presented by the fawning admirer, with little meta-comments on the previous two secti [...]

    • Fionnuala says:

      For wonderful descriptions of what it is like to be old but still young, creaking in every limb but still with the usual appetites and desires. All the stuff we usually ignore about the old is explored here through the myth of Baba Yaga.

    • Kayıp Rıhtım says:

      Baba Yaga (Yaga Büyükanne/Hanım), Slav folklorunda yer alan korkutucu, mitolojik bir karakterdir. Pek de iyi görmeyen gözleri, sarkmış memeleri, gagaya benzer bir burnu ve kemikten bir bacağı olan cadı, küçük çocukları yakalayıp yemesiyle bilinir. Ormanın en karanlık yerinde, tavuk ayakları üzerinde duran küçük kulübesinde sürdürür yaşantısını. Kulübesini terk ettiği zamanlarda havan tokmağını kürek çekmekte kullanarak bir dibeğin içinde uçar. Yarı ölü [...]

    • Yoana says:

      Досега не бях чела такова нещо - книга, която съдържа в себе си свой литературен разбор, съвсем буквално! Иде ми да го нарека пост-пост-модернизъм, защото е екстра мета. А най-объркващото е, че това "екстра" в метата се изразява в доброволния отговор на предмодерния въпрос "Как [...]

    • Galina says:

      Цяла година чакам да се появи в живота ми онова заглавие, което ще ми върне желанието да напиша дълго, подробно ревю. Да седна и хем разсъждавайки, хем емоционално, да събера мислите и впечатленията, които остава в мен даден текст.И когато тази книга е открита и прочетена, за [...]

    • Sofia Samatar says:

      If there was something I could not abide, it was folklore and the people who studied folklore.So declares the narrator of the first section of Baba Yaga Laid an Egg, Dubravka Ugresic's tough and witty novel on the theme of the famous witch. This narrator has traveled from Zagreb to Varna, her ageing mother's home town, and is supposed to bring home pictures. She's depressed by the city, which she knew as a teenager before the war but can no longer recognize, and by an annoying friend of her moth [...]

    • Larissa says:

      Once you notice them, old women are everywhereAnd so too are the starlings to my mothers great dismay. The noise is bad enough, but the mess they make would drive my mother crazy. She could not stand anything unclean or untidy in her home. But cleanliness was not her only battle, she was losing her words and becoming mixed up from Alzheimer's.At the Grand Hotel three old women are checking in, how long they stay is up to fate. The oldest is confined to a wheelchair, wearing a single large boot w [...]

    • Elaine says:

      So close to a five. Maybe it was. The first section, on the aging mother, the daughter, the trips "home" was achingly perfect. I saw my grandmother, my mother, and me, all layered in her bittersweet unadorned heart-piercing prose. The second section -- the fairy tale of aging, mothering and loss -- was also nearly perfect, a comic romp with again, those touches of clarity and realism that grab you and don't let go. And thenrt 3, and the deadening catologue of myths about old women and the intent [...]

    • Sanja_Sanjalica says:

      Despite the third part being a bit long (but highly informative about Slavic culture and folklore), the novel is an excellent read, dynamic, with a hint of mystery, but believable, the characters are interesting and complex, the situations regarding getting old and the family and friendship relations easy to read, but deep, I highly recommend it, you can even skip the third, (quasi)encyclopaedic part and read it separately from the novelistic part of the book, but you get a new layer of the nove [...]

    • El says:

      Baba Yaga has been an interest of mine for a long time, since my first experience of her was in a video game I played the hell out of in my younger years:[image error]I didn't even know at the time that Baba Yaga was a real component from mythology. I just thought the game was cool. But then her story kept popping up over the years, most recently in my boyfriend's interest which has encouraged him to put her in some of his art eventually. We talk an awful lot about Baba Yaga. It's sort of strang [...]

    • Nate D says:

      A thematic tryptich riffing off of the classic witch character of the Slavic folkloric world (and far beyond, as we see in the book). Ugresic presents this as a kind of inversion of Nicole Brosard's three-part masterpiece Mauve Desert, where instead of two versions of the narrative sandwiching an essayistic extrapolation, Ugresic catches her core narrative between non-fictional echoes of two flavors. Which, I suppose, is the usual academic annotation format: preface, text, afterword. Urgesic wri [...]

    • Krystelle says:

      So, in the interest of full disclosure, the company I work for publishes this book. That being said, Ugresic's writing is just completely seamless and wry and gut-felt and the translation is beautiful. She uses the Slavic Baba Yaga myth to write about old women, which is not the most glamorous subject ever but somehow she really does conjure up magic around vericose veins and wobbling thighs and the immense amount of personal baggage that old ladies tote around with them. It's really just damn f [...]

    • Storyheart says:

      In Slavic folk stories, Baba Yaga is a supernatural crone/ witch /sorceress who lives in a house with chicken feet and flies through the air in a mortar, sometimes hurting and sometimes helping people. Sometimes she's one person and sometimes three. But always, she's old, old, old, so frighteningly old and decrepit.Dubravka Ugrešić's re-imagining of Baba Yaga's story (part of the Cannongate Myths series) is a triptych. The first part is a wry but mournful reflection by a daughter about her mot [...]

    • Antonia says:

      Detta är den andra boken av Dubravka jag läser och jag är helt ärligt lycklig. Det är så bra, mänskligt, fascinerande och Ja, Allt! Boken är indelad i tre delar, första del3n handlar om författarens mamma, andra delen om tre kvinnliga karaktärer och sista om baba jaga och hennes kanon och mytologiska värld. Detta är ett feministiskt porträtt av kvinnor, åldrande kvinnor som ingen bryr sig om. Men också en berättelse om Baba jaga, insmygen i allt. Baba jaga porträtteras ofta som [...]

    • Sorin Hadârcă says:

      The novel inside the novel is quite intriguing and I admit enjoying it, but than she makes this mess of a porridge by providing dubious references from folklore, I dunno. Maybe she felt the novel is incomplete or, maybe, she thought it gives away too much and tried to conceal its meaning by providing a plentiful of readings. Kind of post-modernist counter-weight.

    • Malcolm says:

      Dubravka Ugrešić is one of those authors not afraid to challenge – in The Ministry of Pain she fronts up to the unsettling cultural politics of Yugo-nostalgia among an expatriated group of citizens of the new-former-Yugoslavian republics, while in essays she tends to take on the cultural worlds of publishing and American industrialised popular culture; she has not really earned herself many friends among the new voices of the former Yugoslavia. Yet, here, she shifts voice and tone resulting [...]

    • Charles Dee Mitchell says:

      Ugresic’s novel consists of a short introduction on the presence, or non-presence, of old women in modern society, and moves into two apparently unrelated narratives. In the first, a successful Yugoslavian author and academic deals with her aging and difficult mother. These chapters are realistic, funny, and sad and detail a situation many readers of a certain age will either know from experience or might find themselves facing soon. In part two, a group of elderly women visit a spa, and there [...]

    • Nesa Sivagnanam says:

      Ugresic crafts three modern variations on the Baba Yaga legend, the witch-like character found in Slavic folklore. In the first tale, a Croatian writer makes a pilgrimage to Varna behalf of her elderly mother, hoping to act as a surrogate to renew her mother’s declining memory. The outcome, however, does not provide the emotional relief that she or her mother expected. In the second version, three elderly women visit a Czech Republic resort turned wellness center. Kukla and Beba often look aft [...]

    • Gautsho says:

      Kõige paremat sorti (vana)naistekas, ajab naerma ja mõtlema ja tahan veel.

    • Kirsten says:

      I liked this book, but it was slow going. I like the female-centric theme and the focusing on aging women in society. But it was tough going. This could be because it was from a Slavic culture which is foreign to me. I would love to learn more about this culture, especially their folklore. There was a nice section in the back of the book which expanded on the culture and symbolism of Croatian/Russian/Slavic folklore and the story of Baba Yaga in particular.

    • Cristina says:

      Libro davvero molto bello, anche se la parte che mi è davvero piaciuta è la terza, che analizza la figura di Baba Yaga nella tradizione popolare.Il libro si compone di tre parti: due racconti, la terza penso si possa definire un saggio. Secondo me comunque il libro sfugge in qualche modo alle varie definizioni di genere e ogni lettore può trovargli una collocazione diversa, se ne sente la necessità.Tratto comune delle tre parti del libro è la vecchiaia.Nel primo racconto sono protagoniste u [...]

    • Andrea Blythe says:

      I love Baba Yaga, the old fairy tale witch who lives in a house with chicken legs and threatens to eat the heroine or hero if they don't complete certain tasks. So, when I saw this book I knew I had to read it. Although, it turned out to be nothing at all like I expected, with the fairy tale and fantastic aspects nearly nonexistent, providing what at first seems a mundane picture of women's lives. The introduction, "At First You Don't See Them", is the eeriest part of the book in the way it desc [...]

    • Mommalibrarian says:

      non-fiction shelf because one third is a n onslaught of information about Eastern European (and other parts of the world) folklore. Russian because that is one of the countries whose folklore is included. Women's Issues because the non-fiction part of the book makes a big deal about the main characters being old women and expounds on the way old woment are treated in folklore. Fantasy because the non-fiction part of the book explains the fiction part as deeply symbolic; just an allusion to the f [...]

    • Kirsten says:

      A postmodernist take on Baba Yaga, the Slavic witch figure who appears in a zillion fairytales and sometimes works for good, sometimes for evil. This is a triptych: the first two sections are tales whose female characters are all versions of Baba Yaga, and the last section is a guide, "Baba Yaga for Beginners," written by a fictional folklorist who has been asked to interpret the first two tales.Baba Yaga's a colorful crone who lives in a hut atop chicken legs and flies through the sky in a mort [...]

    • Vania Stoyanova says:

      Веднъж видяла заглавието нямаше как да не я купя на секундата, но това не ми попречи да я държа непрочетена на рафта с месеци и така до миналата седмица когато най-накрая ѝ дойде реда. Отново се убеждавам, че няма случайности, тъй като отворих книгата в най-точния момент и във [...]

    • Orbi Alter says:

      Uvijek me iznova zadivi njezina inovativnost, zaigranost i njeznost u prezentiranju slicica iz svakodnevnog zivota, a najvise od svega interaktivnost koju ostvaruje sa svojim citateljima i citateljicama u samom procesu citanja. U ovom triptihu sam se iz scena koje su sentimentalne, nalazila u grotesknim/humoristicnim situacijama i to prebacivanje njoj ide savrseno. Bas zna pogoditi vrijeme kad je dosta, pa ne iscrpljuje i ne umara A prezentirati Babu Jagu koja je vjerojatno najzanimljiviji lik u [...]

    • Clio says:

      I don't know I think that this book, a triptychs on Baba Yaga was hard work. The first story about an author and her ageing mother was interesting, but I felt slightly disconnected from them and their experiences. This is perhaps due to my age, the translation or cultural barriers. This disconnection was exacerbated in the second story, about three women who are at a spa/hotel together. I did not really understand much of what was happening, much as I tried. The author weaves Baba Yaga mythology [...]

    • Monica says:

      Muitos problemas com a tradução e com a incorrecção da escrita quase ferem o livro de morte. Foi por pouco que não desisti dele a pouco mais de 60 páginas.O enredo, no entanto, prendeu-me ao livro, com a curiosidade de saber em que ponto as diferentes histórias se iriam cruzar entre si e com a história mitológica da Baba Yaga. Essa revelação é guardada para o fim, com uma narração exaustiva de todos os seres mitológicos que, sendo provenientes de várias culturas, se relacionam en [...]

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